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Applied Art Resistance Hybridization

an abstract digital image of a painting converted to a vector graphic

“Applied Art Resistance Hybridization”

Hmm, this is probably just a working title above, or perhaps just another bout of my applied art making resistance? Or wait, maybe it is not resistance, it is the creative desire to always things more. To always expand and push it beyond what was learned and practiced..

Yesterday, I posted the first image in this gallery below to my Instagram feed, and I wrote this:

“Another new painting – #wip – acrylic & oil on canvas, well 97% of it is… I spent many weeks looking at it and thinking about it. Is it still a #painting once it has been digitally photographed 100 times? Im struggling as you can tell. I have also now placed several digital forms directly onto this digital photograph of a painting, that you may never see in person. I wont be able to stop this you know.. All I can do now is make more paintings that will become digital images that I can use as props to make more digital things. And that is bliss!”

The post itself seemed to trigger the next series of digital enhancements and then degenerating and desecration.. it is good visual sketch of how my process seems to work. Do the digital works hold up alone as individual works? Should I print the vector versions at the same size of the actual painting (36″ X 48″ inches) and hang them next to each other. Good questions to have I feel.

The final result is a sequence of the individual images set as a motion graphic, or simply put, a GIF. I suppose my ambition is to create a metaphor that shows how the process is not ever static. Nothing is static, no matter how much we think we can make something permanent and forever, we cant, well not while we are operating from our earthly bodies, but thats a whole other conversation.

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