“From Across the Platform”
2020, Animated GIF
“From Across the Platform”
2020, Animated GIF
In class this past week we talked extensively about the power of images, both static and animated. The animated GIF, regardless of how it is pronounced (via one’s personal individual subscription with the hard G or the soft G) it is most often used as a vehicle to communicate and share humor, emotional reactions and relatedness. However, we all agree that the animated GIF can just as easily be used as a tool to bring powerful awareness and action.
I made these examples to extend that conversation..
The earth 🌍 needs our help, and also some 🤗 hugs!
Interior_IN_teriors_ 2020, animated GIF
and then, with almost no resistance or particular awareness of the transition, all of the world’s rectangles became animated video monitors..
and, no one’s memories were ever static again..
“The Synthetics of Nature”, 2020, Manipulated Digital Image
(Read the description here first as it is the assignment’s example)
The Trickery of a Memories Memory..
“The Elusive Memory of Memories from a project about how we think we process Memory” 2020, Digital Ink Jet Print.
(adhered to a brick wall with a temporary adhesive , 1/1 edition)
Context – the digital ink jet print is a photograph of a sculpture. Sculpture origins display the human need to “attempt to make things last forever”, however, this sculpture has melted. Its a reminder. As a Deaf person, I constantly think that I remember the way that certain things used to sound. There is stored memory of those memories. Its a series of fragments and what I choose to tell myself. The image was printed – which is another metaphor of a reproduction to access the past. The past was “cut to its contour” taken from its original digital photograph of the outdated hard-drive mold that was cast in red colorize water. The color red was used to imply visual heat and the passion of emotion, but the nature of temperature applies its earthly laws.. The water was frozen and a cast positive replica was released and composed onto a table. (As I “recall” the capturing process) The cast object was photographed and taken as a metaphor to preserve the ephemerality and the array of lifetime stories that we tell ourselves.
We can always rewrite the story… right?
This is the original digital photograph of the actual cast / frozen mold of the hard drive, can you tell the difference? This cast weighs 2 pounds – the digital one above is as light as a feather..
Title: The Digital Displacement of an Object displayed as a Metaphor
In this assignment you will need:
Access to a printer and the ability to print an image. An image that you would like to work with (think a digital photo that you will take with your phone) and the ability to crop, trim and manipulate the image once it has been printed. A scissor or an x-acto knife will help. Oh, and some form of temporary adhesive like tape will come in handy!
Concept: Connect an object with a metaphor and then place or displace the object “someplace” to display its context. Take a photo of the “piece” as a whole and create a blog post about it. (Yes, you can take take more than 1 image or work with video). Please take a photo of the object before and after / process of the final result. (see my example above).
Inspirational links for more insight: Examples –
Considerations: Connect to a object. Most objects and things that we use each and everyday have intentional and specific purposes. Think about recyclable containers. For example, a water bottle. We usually don’t think much about it, we drink the water and then dispose of the empty water bottle. We rarely think that the bootle has a specific form, it was designed on purpose to be held by our hands. What happens if we strip the empty bottle of its logos and labels and paint the object one solid color? The context changes, we “see” the objects for its shape and form. If we extend this to a metaphor, an object like an empty water bottle asserts itself as a vessel. A container that can hold volume and fluids. Those fluids can be effected by temperature.. get it? Have fun!
(yes, you can always complete this assignment purely digitally if you do not have access to a printer, but seek applied art & design alternatives first – think drawing or collage)
Publishing: After you have crafted your art work and photographed all of the elements, generate a compelling blog post about the process and the meaning of the art. Your approach may be in a narrative “how-to” format much like this assignment description (haha). Or, perhaps your approach is fictional in the form of a short story.
*A gallery of completed artwork will be gathered from all students and participants and later exhibited here on this website.
Reach out with questions here: firstname.lastname@example.org
“Applied Art Resistance Hybridization”
Hmm, this is probably just a working title above, or perhaps just another bout of my applied art making resistance? Or wait, maybe it is not resistance, it is the creative desire to always things more. To always expand and push it beyond what was learned and practiced..
Yesterday, I posted the first image in this gallery below to my Instagram feed, and I wrote this:
“Another new painting – #wip – acrylic & oil on canvas, well 97% of it is… I spent many weeks looking at it and thinking about it. Is it still a #painting once it has been digitally photographed 100 times? Im struggling as you can tell. I have also now placed several digital forms directly onto this digital photograph of a painting, that you may never see in person. I wont be able to stop this you know.. All I can do now is make more paintings that will become digital images that I can use as props to make more digital things. And that is bliss!”
The post itself seemed to trigger the next series of digital enhancements and then degenerating and desecration.. it is good visual sketch of how my process seems to work. Do the digital works hold up alone as individual works? Should I print the vector versions at the same size of the actual painting (36″ X 48″ inches) and hang them next to each other. Good questions to have I feel.
The final result is a sequence of the individual images set as a motion graphic, or simply put, a GIF. I suppose my ambition is to create a metaphor that shows how the process is not ever static. Nothing is static, no matter how much we think we can make something permanent and forever, we cant, well not while we are operating from our earthly bodies, but thats a whole other conversation.
The Communication of Transportation..
Experimental fun using data bending, remix processes, hacking and an old typeface found in the public domain.
Been doing some ink jet printing experiments as well with the idea of single run off of each print. Perhaps its just for fun during the experimentation process. Lets see where it goes!
Analog to Digital to Digital Analog – 2020 is already proving to be an ambitious year!