Category: Video Art & New Media

The Inner Agent

There is an agent inside of you, me and all human beings. The agent is a spy, a diplomat, a spiritual master and a physician of energy and matter. The agent will is coming for you today to activate a doorway, you must walk through it…. This coming week will display the sum total of your most recent internal transformations. You have grown. The fearful side of your ego knows it, and it will attempt to glitch and sabotage the events metaphorically, however, the outcome has already been embedded in {.code}. Well done, see you soon….

The Game Begins, 2019, Video Art

The Game Begins, April 2019, is an animated video art work in progress constructed from multiple individual components. The animated clips were composed and generated with various mobile and desktop applications. They have been layered and and recomposed in Adobe after effects. The video loops repeatedly and is intended for large scale projection presentation. Iterations and experimentation of its presentation are underway. This is an experimental process to fuse together multiple narratives, stories and situational realities. Can it work? Will it work?

Press “Play” above and indulge.

I converted a longer video version of this experiment into an animated GIF here to give a little insight into the testing process. I teach a graduate level new media class at LIU Post in NY and a Digital Storytelling class at CUNY York college where we experiment with many video and animation processes and applications. The projection of video and animated works play a role in the final weeks of the course. It is one of the most important aspects of the class as it breaks free from using the hand held device, monitor or screen as a presentation tool. In this case, the video is projected directly onto 3D objects like stacked pedestals. But as a looping video published via YouTube (above) and inserted into a blog post, Im not convinced it can hold up in this format for long durations of time…well, not yet anyway!

Thoughts?

“Every Conversation I Never Overheard” A Soundless Video Art Commentary

“Every Conversation I Never Overheard” – a second iteration forward.

Ryan Seslow, 2019, Multiple Channel Animated Video.

I feel that physical scale plays a role in the development, impact and sharing of works like this. I always ask myself, can it hold up on Instagram, Youtube or a website? The answer is obviously yes, but asking the question helps me give it further contexts to look into. There is an old outdated version / part of me that can still recall past teachers and mentors instructing that I shouldn’t share this new “work in progress” on the web until after I have shown it in a more traditional public art space. (How limiting) Thankfully, that is not my idea but one that was constantly shared with me (and the others around me) for many years. I never took that advice. I’m happy about that. I’m sure that I missed hearing a lot of the reasons for why or why not, and that’s also a good thing.

“Every Conversation I Never Overheard” puts an emphasis on the overstimulating visuals that I experience in my daily soundless travels through transit in NYC. As my ability to wear and use hearing aids degenerates rapidly I have been spending more and more time not wearing them at all, especially when I am alone and in transit. The less I hear, the more I see, and the more I see the more I hear inside. (re-read that last stanza) I see in narratives that seem to splice themselves together into a continuous sequence of scrolling communication. This is a first attempt at bringing together the visual aspect of the sentiment and experience.

*This art work is a part of the Ongoing Online Exhibition: “Communicating my Deaf & Hard of Hearing Self”

“The Multi-Self Channel Narrative” is Part 1

“The Multi-Self Channel Narrative” is Part 1 of a new multi-channel soundless Video Art narrative. This piece is set as the background for the additional layers as they develop. This piece was started on March 24th 2019 and created from various art historical images that can be found in open access and public domain resources. This video art work is a simulation of the resources and a visual example of the potential! (More to come on this soon, including a “how-to” tutorial)

Video by Ryan Seslow

RE-Cap – The NET-ART Open Call Results

With excitement I would like to share the Fall 2018 Open Call for Submissions results that have been received and published here on the Net-Art website. Please take the time to review each project and gallery one at a time. Would you like to assimilate and work on a similar project in your course? Feel free to get in touch.

FALL 2018 Responses to the Open Submissions are now Active Below!

(select each project by title)

Animated GIFs

DIGITAL ART & Static Suchness

Emojied Movie Moments by MBS

Vapor Wave

“WE” ART550 LIU MFA/MA

YORK CT101 – GIF the Portrait

YORK Panorama

 

The OPEN-CALL for Submissions continues this semester!

SPRING 2019

 

What does this mean? What is NET-ART on the Commons?

The NET-ART 2019 academic calendar is now accepting submissions on a rolling proposal basis in the following criteria:

  1. Electronic Media / Experimental Pedagogy
  2. Animated GIFS
  3. Digital Art
  4. VIDEO ART / Experimental Film
  5. NET-ART (Works created and displayed in a web browser)
  6. Class / Course Collaboration
  7. Digital ZINEs
  8. Curatorial (A Curated Group Exhibition)
  9. Solo Exhibition
  10. Net-Art Open Projects – (details here)

Looking for useful tools, apps & tutorials to get your submission started? CLICK HERE!

The NET-ART Submission Guidelines:

Submissions may be generated by CUNY faculty, students of all levels, alumni & community members. CUNY classes/courses may also submit collaborative proposals as a group .

All submitted works will be featured and published as individual blog posts as well as added to existing galleries on the NET-ART website.

Depending on the submission’s proposal, relevant and in context, various submissions will be published and exhibited as an individual page created specifically for the project.

All submissions should be described in written detail with a clear vision, context and meaning. Supporting images and links should be provided as well.

Authors of the submissions and their collaborators must be willing to participate, respond to comments and expand upon their projects with incoming queries via the commons, twitter and beyond.

The purpose of exhibiting submissions in various categories displays a platform for creative and experimental methods of pedagogy. Please consider how your work will contribute to a larger whole that will be archived for teaching, reference and posterity.

 

Question, Proposals & Submissions can be sent via e-mail or via Twitter to:

rseslow@york.cuny.edu  /  @ryanseslow 

 

Manifesting Exhibition Simulations

Manifesting Exhibition Simulations

It is my intention to bring an electronic exhibition of Deaf Awareness works to a CUNY Art Gallery in NYC.

It is my intention for this exhibition to be a collaborative venture with other CUNY faculty members and CUNY students of all levels.

This exhibition will also simulate as an online experience here on the CUNY Academic Commons’s NET ART Website.

More to come as this progresses..

Feel free to reach out if you would like to find out more –

rseslow @ york.cuny.edu

F.I.L.E 2019 – Open Call for Submissions

OPEN CALL – for F.I.L.E – 2019

FILE 2019 | Call for Entries

Registrations are opened to the 20th edition of FILE – Electronic Language International Festival, from September 05 to November 30, 2018.

Since year 2000, FILE is a non-profit cultural organization that has been promoting exhibitions, workshops and gatherings that seek to investigate the appropriations of the technologic media in artistic accomplishments. With annual exhibitions in Sao Paulo, in addition to participations in national and international events, FILE is the biggest electronic art event in Latin America.

For 2019, artists and researchers can submit their works in the main categories: Interactive Art, Digital Language, Electronic Sonority and FILE Led Show.

FILE Led Show consists of a public art show in the large Led panel located on the Fiesp building’s facade, at Paulista Avenue, 1313. FILE Led Show gets interactive and non-interactive proposals to be presented at the Digital Art Gallery. *

To participate, you need to fill out the entry forms at the bottom of the page – here – being in accordance to the General Regulations of FILE.

 

– The submission is free of charge –

 

FILE 2019 | GENERAL REGULATIONS and full info is HERE