Category: Digital Art

Exploring Digital Art and Design on the Commons – A Workshop

“Exploring Digital Art and Design on the Commons: Techniques and Applications for the Classroom and Beyond”

Wednesday, May 11th 2022 – 11am – 12:30pm

Welcome!

This presentation is for the CUNY GC / Teaching & Learning Center’s Open & Digital Pedagogy Wednesday Workshops Series.

Hosted by Anthony Wheeler & Ryan Seslow

Welcome All!

This workshop will be conducted and archived from this blog post here on this website.

This website is chock full of resources so please dig in!

PS – This post will also receive a few updates from time to time as contrast creates more inspiration! I hope to share the recorded zoom workshop info as well (if possible)

This post is also a creative snippet and reflection of what is possible here on the commons. (Im a big fan!)

 

an abstract digital illustration consisting of many graphic assets

 

So, What is Digital Art? – via wikipedia

“Digital art is an artistic work or practice that uses digital technology as part of the creative or presentation process. Since the 1960s, various names have been used to describe the process, including computer art and multimedia art. Digital art is itself placed under the larger umbrella term new media art.”

 

Some Digital Art History -> a timeline

A bit more here <–

and a bit more here as well <–

 

Questions to Ponder?

What is the creative potential of an image?

What is YOUR creative potential in relationship to an image or images that you feel connected to? 

How can intuitions, feelings, philosophies and or inspiration play a role in image-making?

You do NOT need permission to experiment with digital image making / digital art, so let’s get to it!

The academic commons is a perfect example of a platform (WordPress) that both supports and compliments image based content. File formats like .JPG or .PNG work well here! Let’s begin our reign of creative image-making and take over!! 

 

LETS MAKE SOME DIGITAL ART!

 

We will experiment with some great “Free to Use” Digital Tools:

Lets create a page using mmm.page  – https://mmm.page

mmm.page is a web browser based digital collage making platform / space. It works perfectly in your web browser. It also works on mobile devices!

 

Here is an example I made with mmm.page:

https://mmm.page/ryanseslow.main

 

*I pre-prepared a series of transparent graphic assets that you can download and use for this, but feel free to make and discover your own, especially if there is specific context to your ideas. Here is the shared folder link:

https://drive.google.com/drive/folders/1ZWB0jL_z_iU9mH2rf3Imthk4AUpYYRGi

 

a surreal arrangement of objects and things placed into a situation..

 

Places to find Images online – Creative Commons based:

Pixabay.com – great resource for images and transparent assets! (we will use this for the workshop)

National Gallery of Art  With the launch of NGA Images, the National Gallery of Art implements an open access policy for digital images of works of art that the Gallery believes to be in the public domain.

Digital Public Library of America The Digital Public Library of America brings together the riches of America’s libraries, archives, and museums, and makes them freely available to the world.

NYPL – The New York Public Library Digital Collections Archive

Flickr CC – Creative Commons on Flickr.

Gif Cities – Internet Archive

The Noun Project –  “Graphic Icons for anything”

Open-Access – Digital Collection – The Metropolitan Museum of Art

Giphy – the web’s largest search engine for animated GIFs!

 

Web Browser and FREE Digital Tools to Work with:

mmm.page – https://mmm.page

photopea – is a free web browser based digital image making and manipulating application, we can alter and manipulate and prepare images in this space! – https://photopea.com

Remove Image Background – https://www.remove.bg/

PIXLR – https://pixlr.com

Image Conversion Tool – https://convertio.co/

Vectorize an Image – https://vectorizer.com/

vectr – https://vectr.com

Glitcher – http://akx.github.io/glitch2/

Image Glitch Tool – https://snorpey.github.io/jpg-glitch/

Glitchatron – http://www.errozero.co.uk/glitchatron/#

Gimp – digital art making / photoshop-esque alternative – https://www.gimp.org

Trianglify Generator

Trianglify Generator 2 

 

Special Ops agents find themselves displaced into an art gallery

Useful Essays & How-To’s from this Website:

The Byproducts Poster of Twenty Twenty One

A Drama in Monotones, the tutorial..

Cut-N-Paste-Analog-N-Electronic-Ness

mmm.page Creative Awesomeness

Ink Jet Printer Print Remixing in the Studio

The Graphic Design for Websites, A 2019 Workshop

 

Please feel free to share your sentiments, questions and feedback in the comments section below! Let’s think of that space as a way to contribute to this post.

PS – Check out more on my website – ryanseslow.com or follow me on twitter or IG

Many thanks!

Caption-Less Abstraction, Another Statement..

Caption-Less Abstraction, Another Statement..

“Caption-Less Abstraction, Another Statement..” is new looping video art work by Ryan Seslow.

The piece is a visual statement, expression and commentary on the continued lack of accessibility and inclusion that Deaf and Hard of Hearing people experience. Often invited and or summoned to attend online meetings, seminars, talks and discussions only to once again discover that basic accessibility and inclusion in the form of closed captioning is not enabled or provided.. What do you think that these meeting experiences looks like for a person who is Deaf or Hard of Hearing? How do you think the experience feels for a person who is Deaf or Hard of Hearing?

This piece is WHAT it Looks Like. Want to know HOW it feels? Great, now watch the looping video for 20-30 minutes straight.

Let me know how you FEEL after in the comments section below, or post your response to me on twitter.

This art-work is about awareness, there is a story below..

“Caption-less Abstraction, Another Statement..” 2021, Looping Animated Video

This piece is also based on a recent experience where the “Host” of an online event invited me to participate in a group discussion via zoom. There we over 50 people in attendance.. I told the host in advance that I was Deaf and would require (and greatly appreciate) the enabling of the real-time closed captioning feature during the talk. I never got a response. I joined the meeting anyway and immediately noticed that captions were not available. I sent the host a DM, no response.. In American Sign Language I proceeded to sign “NO ACCESS” over a few times and eventually left..

 

“Caption-less Abstraction, Another Statement..” 2021, A still-frame from the pre-animation processing of the video (click the image to enlarge to full size)

This piece was recently added to the current exhibition: “Waking Accessibility Awareness”

https://www.ryanseslow.com/waking-accessibility-awareness/

The Byproducts Poster of Twenty Twenty One

a big poster of many many small illustration organized into visual order

“The Byproducts of Twenty Twenty One” 2021, Digital Illustration / Poster – (click the image to enlarge)

 

The Byproducts Poster of Twenty Twenty One..

(originally posted to ryanseslow.com but there is context here. Publishing this here will publicly hold me accountable to turn this into an assignment)

Wow, it’s the final day of December, and 2021 is coming to an end. This has certainly been a challenging year..

It’s that time of the year when I get very reflective about my work. This meditation puts a focus on my personal work as an artist, as a professor (just finished my 19.5 years) and as a designer solving various problems for my clients both ongoing and new. A lot has been completed this year. Im proud of my work and of this blog too (more on that soon)..

Behold below, the byproducts poster of 2021! I have been meaning to turn this idea into a class assignment for my intro graphic design and illustration students for a while now, it always seems to escape me writing up the specifications for the project.. Perhaps it’s because the project and exercise itself is so much fun that I I keep it to myself! Let’s change that this coming year! (see, accountable..)

“Byproducts”.. what do I mean by “byproducts”.. well, I see it as a “secondary thing” or results that have been created or generated as a result of another intention. It’s incidental. About 85% of the graphics in the poster below were created in 2021, the other 15% are iterations and extensions of existing graphics taken from the last few years. I have been making art and design consciously for over 35 years.. (omg). This duration in and of itself results in a large repository of “things and stuff” that has been created over those years. Im pretty meticulous at organizing things so its very easy to find files by context and year. I love the idea of having a digital repository of my work on hand. The beauty of this poster (in my opinion) is the display of “orderly chaos”. The composition building process is a challenge and a puzzle. A design problem created on purpose to find harmony and unity by arranging shape, form, color and scale. Byproducts in this context are the result of the “unused things” that were created for specific purposes but didn’t make the next or final cut on a project or concept’s decision making. It doesn’t mean that these things don’t have value. They certainly do, and I love re-contextualizing them. Im giving these things utility by applying them as a promotional poster. A consolidated image of variety, aesthetics, styles and visual candy. A nice representation of how much I love to work this way and the work I love to make. 

The more time I spend looking at this iteration the more I realize I can add to it, or how I can re-compose it. I said it was a “poster” but we all know by now that it could be so much more. Imagine how this would look installed as a large wall piece applied into a clean white walled gallery? Hmmm.. 

When I posted this on a few of my social media profiles I immediately received inquiries if the piece would be minted as an NFT, or if the piece would be available as a physical print? I love all of these ideas and will let them dance in my mind for a few more days.

Happy 2022!

Creative Fun for the NEW Commons Website!

A Happy New Year to You and Yours!

Welcome to the Spring Semester, 2022!

Allow me to introduce my first post of the new year: “Creative Fun for the NEW Commons Website!”

That’s right, the commons has launched its long awaited update! Its awesome!

Have you checked it out yet? This post is a good place to start if you haven’t. Its very informative and helpful. Not to mention down right inspiring, (you will recognize some of the GIFs and Illustrations, wink wink wink..) I’m always excited to talk about the commons! Im lucky to be a sub-committee member, thats right, I signed up, got hooked, and now they cant get rid of me, and my GIFS!

Lets have some fun talking about the new site and the commons itself, shall we?

But wait, can this blog post be used as pedagogy? Can it be a class assignment example in disguise? Does a blog post have the ability to tell a story? A compelling one… hmmm, lets see..

I’m here to serve, share, learn, revise, connect, contribute, participate and evolve in this wonderful open-source space. I have been teaching a series of my CUNY classes between BMCC and York College via the commons for many years now, I have also created the open-source course from which you are reading this blog post. The fact is, the commons is a brilliant space that is awaiting your energy. It’s a free invitation to break free of anything default (like those prehistoric departmental templates!) Its time to tap into your “highest-creative-pedagogical-self”, (that’s right, that’s a thing now) and let that light been seen here.

There are so many ways to approach this!

Building a course website, portfolio or creating a group on the commons offers many options, and there is so much context to explore.. What do you want to create or experiment with? What would you like share, archive, organize, facilitate or help with? That’s just a starting a point of course. When I first started generating content here I created this site “The NET-Art Site” for fun as an example of the “ideal course” that I would “one day” love to teach… I’m very serious. It is not an actual 3 credit course at BMCC or York college, but it has become something so much more as both of those courses benefit from and contribute to the content. It’s an OPEN resource full of use-value in context to all of my teaching. Its worth way more than 3 credits, I mean, its like 100,000 teaching-karma-credits that gets legacy attached to it! (as sinister music drones into the background…. Im kidding, but then again..) What I’m trying to share is, I simply jumped in. I started making and sharing, creating opportunities and reaching out to others. Things took off and quickly began to shape just by starting and not worrying about how it would be received. The commons community supported it 1000%! Since then, we have collaborated with the NYPL and several other campuses on various projects, including workshops at the GC on graphic design & “play in the classroom” )and a cross-college collab with Gallaudet University.

As the new site was being built, especially in the final stages, I asked if I could help and contribute by making some visual promotional items. I kind of solidified my presence with the subcommittee as an artist and a rouge “GIF maker”.. well, ok, maybe I’m not that rouge but I love to make GIFS! Either way, it all started on a website here on the commons. I was riding the coat tails of my buddy and mentor MBS, who is the one who introduced me to the commons in the first place!  I was hooked right away! This was back in 1977! (which was really 2010-ish but in 2022 year consciousness it feels that long ago!) Anyway, sheesh, I offered to help bring some of the new branding imagery and items to life. A perfect opportunity to contribute and also use the content for pedagogy. Thats right, this blog post becomes yet another example of the potential of how the commons can be used. As well as the potential to share how things can always expand as we place our energy into it. I teach Digital Storytelling at York College. (I love the course so much!) A large portion of the course work is creating a digital identity, learning how to blog and challenge the creative potentials of what a blog post can be. Can it be a vehicle for change, self-expression, self-transformation, activism, empathy, teaching, learning, compassion and creativity all at once? CT-101 students will surely find out as soon as they read this!

Well? Are you not enjoying this? Make a list of words that come to mind, take action and leave them in the comments section below, I’d be happy to help you get started if you need or want that kind of a push. 

Lets give the whole commons team a big big round of applause! I have to say, they really nailed it! The new website is beautiful. Do you remember the old site? I mean, I do miss it a lil, its nostalgia, and all of the late 1990’s feels of those underground style blogs (kidding, kidding, kinda!) I really love the rebranding here. The new site has solved a lot of UX/UI and accessibility issues very effectively. The lighter color palette and integration of clean icons, page formatting, sections, and those light gestural lines makes one’s arrival to the site welcoming and inviting. It helps the visitor navigate effortlessly to where they want go, which may be intentional right away, but it also provokes exploration. I’m excited for my new students to get started this semester! What do you like most about the new site?

I hope that you are enjoying the GIFs and Illustrations as you read through this post. The post is getting a bit wordy and Im known to go off on tangents… stop me! My ambition was to induce some retro-feelings and imagery as metaphors to show the lineage of our Internet experiences. I started teaching college in 2002! I’m at my twenty year mark and this is my 40th semester teaching. (What!?) I actually had that flip phone used above in the illustration, as well as showing course content with slide projectors and VHS tapes! I had to represent VHS! As much as I love all things modern tech, I miss those analog days, and the clunky hardware that came along with it. I know that our friends at Reclaim Hosting agree! The beauty of technology is its ability to unite and connect us through access and inclusiveness. The new site works great on mobile devices now too! The commons has helped me find and meet so many other like minded people doing such cool things. The pandemic slowed the “IRL” experiences but the digital connections strengthened, our overall reach extended and our friendships prevailed. So, in essence the art works are about connection, togetherness and our collective awareness..

 

Thanks for reading along and checking it out!

Feel free to get in touch and say hello! Im easy to find here on the commons as well as on the web!

Twitter is good too!

If you are looking for some creative inspiration, dig into this site and see what you “stumble upon”.

The Legacy & Preservation of an Original Idea

“The Legacy & Preservation of an Original Idea”

2021, Digital Illustration & Animated GIF by Ryan Seslow

A series of two new art-works, 1 animated and 1 static.. its time for a another reactive / reflective writing assignment. Let us view and reflect upon the art work below. The artist has left us with his intention about the work, but does that “add up” for you? What do you see? Let’s first break down the objective aspects of the images and then move on to the subjective and less formal meaning, shall we?

1. The Legacy – The Forever Animated Loop of the Ego..

2. The Preserved – The Forever Static Preservation of the Ego..

The concept of the artwork is derived from our ego-centric human thinking..  

We all want to believe that our individual “ideas” are original, unique and new.. We want to leave a legacy here on this planet.. and we want to make this happen over and over again. We want to believe that we are unique but also a part of the oneness of this world. We grapple with this, especially as artists. Deep down, we know the truth, that all ideas are built by an energetic collective continuum of the creative human potential.. everything is a remix. This series aims to capture the illusion of this statement as a single idea, contained and persevered both static and looped, living on forever..

 

 

  1. Above: (click the image to enlarge)The Legacy & Preservation of an Original Idea, The Legacy, 2021, Animated GIF

 

2. Above: (click the image to enlarge) The Legacy & Preservation of an Original Idea,The Preserved, 2021, Digital Illustration

 

Cut-N-Paste-Analog-N-Electronic-Ness

A new post on process reflection through blogging.

The best teacher I have ever known is the “inner-one” that allows a time for reflection as it wiggles through its narrative from the inside outward.

Here is my take and example.

 

December, late 2021

Back at it. The saga continues. I want to make images, always.. Which is really saying I want to communicate better, or just more, or in new ways. Sometimes the communication is purely fictional. Sometimes the communication is out of frustration because I cant find the words at the moment. Or, sometimes it’s an other worldliness that is using me as a “tool” to make itself known. Either way, it’s a practice and methodology of my expression of “the-self”. My feeling towards art making has always been: “make something and then further extend what has been generated”. I always want to see how that “something” can be taken further. If I make a drawing, I will eventually want to make a painting based on the drawing (sometimes it’s with paint and sometimes the paint is with pixels). After I make the painting it may become the background for the original drawing I made, but the drawing has now been scanned and digitally manipulated. That digital image will get tweaked and revised and also expand. I will then print it, I love old school ink-jet printers and the aesthetic they can produce. Im a “cut-N-paste” lover too, so making collage based works is a must. 

Above, this is a pretty regular perspective I find myself gazing at. Many pieces, parts, fragments and clips awaiting their deployment. I like to see things both on screen and off screen. Printed matter still holds my attention. Its a form of nostalgia and a time-machine into my childhood where art making was always a part of my world. It never stopped and Im sure it wont as long as Im on the planet. Im sure it will continue even when Im off of the planet too, haha.

I suppose, Im always seeking to communicate some form of a “situation or circumstance” in my work. As if “something” was occurring at the moment and the viewer was able to peek in and hit the pause button to freeze the frame of that “something”. I do make quite a bit of animation work too, but that was the natural progression over time as a medium. Plus the tools are so much more accessible today. I never forgot the basics of what I have learned from two-dimensional design in high school. Figure / ground. Foreground, middle-ground and background.. I placed a border around this piece above, perhaps that clean boarder makes the image as a whole seem a bit more important.. or it just emphasizes the moment. The fragments above were not yet glued down, I lay them out and look at them for a while before I make them seemingly permanent. I always take a digital image.. always!

Im really happy with this piece above. The perfect tension between the subjective and the representational. A moment of passing memories, elusive and most likely not even accurate. A portal out of reality and into the imagination. I like to linger there. The image is made from a series of digital photographs and hand drawn illustrations that were manipulated digitally and the full cut-n-paste treatment at its best.. This piece is currently still untitled, for now.. I will surely scan it and bring it back into the digital arena again.

(this piece above is available as a 3/3 edition here – https://hicetnunc.art/objkt/375773 (or click the image)

Ah ha, well, the image above this one was derived from this one! A combination of a manipulated data bent images layered with several glitch renderings. Cut, layered, pasted and cut and pasted again. What works for me the most is the hand cut lines that are visible by their contours. You can see that this was printed and then cut out with a pair of scissors. The lines are not straight, we can only get that perfect line from a ruler and an x-acto knife.. I have no need for making anything “perfect” in such an imperfect world. 

Format change. A horizontal layout variation to switch it up a bit. This piece uses the same process as stated above. It has not yet been glued down and made permanent.. but is that even necessary with digital tools like photoshop? A good question to ponder and what does that mean in the future?

And then, oh yes, the ink-jet bleeding experiments! Did you know about it? Well well well, look at who’s attention just focused in! If you print on matte paper with an ink-jet printer you can use a soft brush and water and create some very cool looking bleeding aesthetics! Im a big fan of this piece! This is surely a subjective and abstract art work, but it still followed the same steps and process as I shared from the beginning. Im going to print some larger scale variations of this, and perhaps have one framed.

I decided to get a bit more formal here in my presentation and laid down a few of these pieces. Sometimes it helps to get the gallery perspective and see one’s work “up on the wall”. The vertical perspective is helpful. Of course these pieces would look better in a more traditional frame, and its this exact exercise that helps me make those decisions. Below, are a few close up versions of each piece. Obviously there is more to come. Thanks for reading!

Metrics of Time, Circa 2015 – 2021

Metrics of Time, Circa 2015 – 2021

A Reflection from 3D to JPEG..

Ryan Seslow / 2021

(This post was originally published on my personal website on 11/29/21 but I believes that it serves as an example that can benefit our Digital Storytelling community here across CUNY. Im a big fan of using art and art objects as “tools” for creative and reflective writing. Forgive me for the typos, Im still editing as I add to it!)

 

I have always been attracted to working with 3-dimensional objects and materials. Since Im a small child, “making objects” was a great way to express myself and exercise the imagination. As I reflect back (and keep that word “reflect” in mind), I always loved the idea of making hybrid objects. Mostly stacking and assembling things that seemed like they did not belong together. I was simply exploring form and the potentials of form. I loved it so much that I never stopped. I especially enjoyed exploring the subjective, the nature of materials and how they related to my understanding of “life”. We are pre-disposed and domesticated by the many many “objects and things” that we grow up with around us. All of which already have a specific name, title and function. We learn to call this “the objective reality”, where almost all things are representational. Until we intervene, if we do, it may be tricky to expand beyond it. For example, when you purchase and drink a bottle of water or a coffee from the local coffee shop, you quickly dispose of the empty “object” that you drank out of. You rarely stop to contemplate that the bottle or cup was simply a “form” first, and that the form has potential beyond its intended usage. Well, do you?

There is context here with the art-works below..

In the two pieces below I am using and applying the word “reflection” as a medium and a utility. This blog post itself, right now, here in November 2021 is a part of the art-work. “Reflection” in and of itself is a duration based task and action. It takes and requires “time” to reflect. The act of reflection is vast and rich in psychology. We can reflect upon something or someone via our thoughts for 1-2 seconds or we can reflect upon those same things for our entire lifetime.. The individual context is so specific to each person of course. We can also reflect by writing, which usually means “typing” now a days.. But alas, do we ever schedule an appointment with ourselves ahead of time to “reflect” on something, someone, a situation or a circumstance? Have you ever thought to do this yourself? When we reflect, is it possible to even retain and accurately relive the events, people or circumstances? Well, well now.. you may say no because we can only reflect on something that has “passed” and is no longer in the actual “now”. Or do we wish to believe our reflections as a story, experience, person or memory? Of course this too has context, especially for the dichotomies ranging from our great achievements to serious personal traumas, memorable birthday presents and or seemingly banal objects.. like a wall clock.. yes, a wall clock..

The two sculptures below are titled: “Metrics of Time” Version #1 & #2. Both artworks were created and completed in 2015. The medium is plaster (or known in some areas as “pottery plaster”) – which is a powder-like synthetic dust that turns from dust to a solid form when mixed with water as its catalyst and left to cure. I fell in love with making casts and molds somewhere around 1990 when I was a kid in High School. Mold making became even more interesting when I entered college (due to the super fun projects that we did) and it always stuck with me. The idea of being able to reproduce an existing object true to its original form (with out labels, logos and packaging) and with a variety of different casting materials was so attractive. Clean, smooth surfaced solid forms are beautiful! I frequently used plaster, cement, acrylic resin and water (that I would freeze into ice molds). Even more so, the ability to make a rare single edition mold positive or an army of multiple replicas was also so much artistic power (and I certainly made my share of multiples over the years!) At the time though, in those early years of mold making, I didn’t connect the super important role of photography to the works that were being generated. Especially works created with inexpensive and ephemeral materials like plaster. I was connecting the value of the art with the value of the materials. A big mistake! Plaster is cheap. Both in price and in its quality as a material as it will deteriorate, discolor, flake, diminish, chip and age poorly over time. But then again, this is also very very much like us humans. We are equally ephemeral. Time is also equally ephemeral. Especially in context to the awareness level of the living person that contemplates it. These pieces below share both the conscious passing of time and the ephemerality of all things physical in this biological life. All of this information above was nestled into an “object” that communicates “time”..

Above, “Metrics of Time” Version #1, 2015 – (JPEG File) – 1/1 Digital Photograph of a Now Destroyed Cast Plaster Assemblage

I destroyed both of these “physical” sculptures shortly after I created them in 2015. My intention was to complete the sculptures, photo document them and show them publicly as printed images nicely framed and mounted. Much like one would expect to see with traditional photography in an art gallery. But that never happened. Each time that I mocked up the idea, it just did not sit right with me aesthetically or emotionally. My bodies energy instantly changed when I placed the “images” of the sculptures up and onto the wall. (I had printed them myself with my printer in my studio at the time.) Busy with otherness, I decided to put the project on the back burner.. Fast forward to November 2021, where inventions like the blockchain, crypto-currencies and the minting, selling, trading and collecting of digital goods have become a huge fast growing market for artists and rare art works. Single edition digital art works have become extremely desirable in a format that we all know so well as both artists and regular Internet users, the JPEG. The JPEG, yet another communicator of time.

Back to the context. The sculptures were intentionally mounted and hung on the wall. They are inspired by and mimic a standard wall clock. It is an object that has always captured my attention. Im talking about the old fashioned one’s from the 1970’s that lingered around all public buildings and space for many years longer than they should have. As a child I thought they had magic powers that only adults could access and understand. I waited with great patience to also access that sorcery! Most of us are introduced to a wall “clock” via our homes and elementary school experiences. We always looked up at the clock to see when our classes would begin and end, day in and day out. As a kid, I could not wait for the school day to end, and now as a professor for 19 years, Im holding tightly to every minute of class hoping the time flows slowly. I look up at the clock and frown! At home we always looked up at the clock to see when it was time for dinner, time for a bath, time for bed and time for … fill in the blank.. Regardless of all of this, the numbers on those old clocks stayed static as they hugged the circular contour line of the shapes form. The circle, a perfect metaphor for the cyclical aspect of this life. Round and round we go. The clock’s two arms, one short and one long, move in unison with their tireless friend, the non-static seconds arm. Even when things finally began to be produced, embraced and displayed digitally in the “time” telling gadget industry, I stayed fixed on the old clock as a metaphoric object of transcendence, evolution and self-transformation.

Above, “Metrics of Time” Version #2, 2015 – (JPEG File) – 1/1 Digital Photograph of a Now Destroyed Cast Plaster Assemblage

Wait a second, what am I looking at here above? Both of the original cast pieces above were made and assembled from cast plaster fragments. To achieve the form of the old wall clocks that I describe, I used a plastic bucket that resembled the same diameter of the clocks. I filled it up about 1.5 inches and watched the plaster expand another 1/2 inch as it normally does. I let it cure and released the mold. Plaster rejects plastic once it is dry, making the release easy and seamless. Have you recognized what the grid like forms are that rest securely on top of the circular base form? They are keys from an old keyboard that I used between the years 2004 – 2010. Yes. I made a full 1-part mold of the old keyboard using a silicone  / polyurethane rubber mold making kit. I made the mold’s layers very thick so that it would be durable enough to hold any kind of volume that was poured into it as it cured. Much like my old experimenting days in undergraduate college, I made several casts of that old keyboard in plaster, cement, acrylic resin and frozen ice molds that melted away as they should.. In this case, when I poured the plaster into the mold I left each of the key areas shallow enough so that each key would easily be released individually. Once they were dry I arranged them into the two compositions that you see above. They were mounted down with epoxy to hold them in place. We can see two slightly different patterns in the alignment of the keys suggesting to the viewer an intentional meaning or functionality of the object as a whole. Perhaps suggesting that this object is an old relic from the future or the past of a parallel world.. either way, the keys are now functionless..

The context of the keyboard as a metric of time is also a metaphor. The act and action of “typing” has several functions and purposes. It falls into yet another dichotomy that ranges from one’s super personal intentional uses to the mundane and banal tasks we do day in and day out, but it still equates to a “thought to touch form of communication.” Our entire lifetime here on this planet is co-dependent on how we use, give and receive communication. All forms of communication take time.. many of us take it for granted. Two static objects were created to express and communicate an understanding of “time.” The objects were destroyed by its creator only to discover that they transform their energy into another form of “how” it can continue to communicate and transcend itself. The creation began from formless thought energy and into the generating of a 3-dimensional tangible form, only to be destroyed and re-introduced as a 2-dimensional form in the format of an image, the image has been placed online and agreed to be converted into hypertext and placed onto a web server..

The 2-dimensional images are now asking to be minted on the blockchain and re-introduced in the meta-verse as yet another form.

Stay tuned.

A Metaphor, A Reminder, An Assignment..

"A Metaphor, A Reminder", 2021, a Digital Illustration by ryan Seslow - A Metaphor, A Reminder is a new digital illustration that brings together an array of peculiar imagery. Most of which is very subjective - shapes, colors and forms layer over each other to display creative suchness.

“A Metaphor, A Reminder”, 2021, Digital Illustration

A Metaphor, A Reminder is a new digital illustration that brings together an array of peculiar imagery. Does it not?

What do you experience?

Are they logos? Icons? Glyphs? Pictograms? Symbols? A sheep in wolf’s clothing? 

Everyday is an opportunity to bring new shapes, forms and color combinations together. For what purpose, you may ask?Well, this might be an exercise, about the expressive power to evolve and transcend a something.. a metamorphoses..

Even if, some, or all of the new forms may be 100% subjective at first, they come from a “somewhere” and can be applied to a “here” and also to a “now”. We can fuse the whole process with emotion, creative energy, memories and positive vibrations. If we look and don’t create what will happen?

If we make and design and practice that everyday what will or may happen?

What can, only if, and or may, happen?

This world has made us all creators by default but we do know it?

What will you do next?

The Communication Game – Animated Video

The Communication Game – 2021 – Animation

Duration – 00:16 (set to loop), Size: 1080px X 720px

“The Communication Game” is a new animation by Ryan Seslow. Derived from an ongoing frustration with communication, accessibility and technology, the animation asserts itself through an overpopulated, heavily manufactured interface. Fragments of 3D models stiffly role-play as video game characters and jockey over each other in various scenes, situations and actions. The visual aesthetic is gritty, grainy and degenerated. The soundless video flows on a loop that creates a feeling of ongoing struggle as the viewer attempts to follow its chaos and understand what is being communicated..

 

In the comments section below generate a response that addresses your connection or disconnection to the animation.

What do you see? How does the animation affect you?

Can you relate to communication frustrations? If so, how and where?

Where do you see or experience this the most? 

 

2,500 Extra-Credit points will be given to all who respond and react!

 

Design Projects – Promotional Fun with Vintage Design

Promotional Fun with Vintage Design

This post is an adaptation from my personal website, however, it fits in here perfectly if you are looking to explore some new design projects with your class(es) or even for yourself. I used myself as the example, haha, what fun!

<enter Ryan>

I love to learn new things. I love this aspect of life because this experience on earth always has something new to teach us each and everyday. Especially if you are looking for it. I’m always looking for it! I’m a big fan of Skillshare.com and perhaps one day will submit a course of my own! (Would you take my class?) As an artist and graphic designer it is important for us to keep our marketing and promotional materials fresh! I love this aspect of the business! We get the repeat opportunity to communicate who we are and what we can do to help others solve problems. OK, there is more to it than that, but in a nutshell using visual forms of promotional communication help give others a chance to resonate with what we can do.

As much as I love learning on skillshare, I’m an even bigger fan of graphic designer Aaron Draplin, the DDC! You can check out his work here. Draplin has a series of great courses on skillshare. I have taken them all and learned a ton! And no, they are not paying me to promote them or Draplin. I share this because there is a tremendous amount of value and experience for all up for the taking. I have been pretty sick this summer and have been slowly recovering. I took advantage of this time to watch, pause, watch some more and learn from a series of great courses. Here is the information for the course below, as well as a few of my outcomes.

The course is titled “Getting Dirty with the DDC” and it puts an emphasis on techniques creating crusty, vintage and manipulated design imagery in the form of an advertisement and promotion (and so much more, this is a fast description). Draplin works it using adobe photoshop, illustrator and a series of his handmade tricks and analog techniques. He references a lot of great vintage design from the brilliant era of print production. He always shares a variety of great stuff from the 1960’s – 1990’s (and beyond). Draplin and I are in the same age group so I resonate with everything that he shares and its nothing short of nostalgic! I directly applied my studies and project to some self promotion and marketing for my own business and services offered here at RSA&D LLC! As you know, I love making promotional stuff, and adding humor and fun into it, it helps me share my personality and overall lightheartedness. Does that come through in my outcomes below?

Here is the direct link to the class  <–

My outcomes from the class (Mr. Draplin, if you see this, how did I do?)

1. The Original. This is the 1st iteration and layout with very little manipulation aside from converting everything to black and white. I pre-prepared the assets, graphics and images using both photoshop and illustrator, most of which are all my own hand drawn illustrations. It was fun to use the illustrations in this context and show some of those skills. I used adobe illustrator for the layout, adding and manipulating the type and saving the file (.ai – vector format – which is great should that vector format be needed in the future). Then I brought the file into photoshop and got to manipulating. This was really fun and definitely plan to do a project like this with my design students as well!

2. The Photo-copy Machine Simulation – this is the 2nd iteration following the techniques in the course. I have always loved copy machines and have over-taken them at every location I have worked where I had access. I love the degenerated look and how we can make things look older and grittier. I really enjoyed the process and continue to tinker with this. 

3. Color Overlay Fun – I had to try a series of colorful backgrounds! This is what takes me back to late the 1980s and 1990s. So much print media was reproduced this way. Especially for events like concerts, meet ups, gatherings, etc.. it was a relatively cheap way to make print reproductions and spread them around. Of course, sky is the limit here, not only with the colors, but with adding more textured papers and backgrounds for more impact.

4. Further Iterations – there are so many free resources on the web for old paper and textures, this is just one idea below.. Im excited to push on this and iterate more, many thanks to Mr. Draplin for the energy and inspiration!

<exit Ryan>

<snip> :))