Category: Digital Art

How to Create Paper Cut-Out Art: Tips & Techniques for Beginners

Back again with another lil’ series of 2D wall relief paper cut-out forms. Both of the pieces below follow the same process and technique. Im really happy with the process and outcomes. Im working on animating them as we speak. I’ll add them to this post later, so be sure to check back! My paintings inspire my drawings, and my drawings are inspired by those same forms found in my paintings. It makes sense that every so often I want to make those forms “pop out” and off the surface of a flat plane. Alas, it all starts with a quick sketch. See below, just a series of light loose free flowing lines take the lead, forward ->

Here we have a dude posing for a profile style portrait. Most likely, this is inspired by the NYC B-Boys from the years 1983 – 87ish. Either way, it’s nostalgia for me. Once the sketch feels good, I’ll break out the paper and x-acto knife. I keep telling myself that one day Ill work with another material other than paper for these works, perhaps wood or metal.. It will happen, I can foresee it for sure, hang in there. Im using a white bristol paper for the cut outs, I believe is the vellum type and not the glossy, but either or will work just fine. I love to cut paper and the whole medium of paper art in general.

Paper cut-outs, also known as paper cutting or Kirigami, is a traditional art form that involves cutting shapes and designs out of paper. The history of paper cutting can be traced back to ancient China and Japan, where it was practiced as a folk art. The Chinese and Japanese would create intricate designs, often featuring animals, plants, and mythical creatures, and use them as decorations for festivals and special occasions.

Using the sketch above, I apply the “map” of the shapes and forms that I see. Sometimes I redraw those forms on the paper that I will cut out, and sometimes I just “draw” with the x-acto knife to recreate the forms. Sometimes, it’s a combination of both of those techniques. There is also a series of “out-take / byproduct” cut outs that do not make the final piece, those can be saved and used for the next piece, obviously!

More history, for context – the art of paper cutting spread to other parts of Asia, including Korea, where it evolved into unique styles and techniques. In Japan, for example, paper cutting was used to create delicate and intricate designs for paper lanterns and screens. In Europe, paper cutting was popularized during the Renaissance and was often used to create elaborate decorative patterns for books and other printed materials. Check the bottom of this post for a list of other artists that work with the medium.

I layer the forms on top of each other to compose the arrangement as a whole, its fun to watch it all come together, in the next phase, you will need some kind of durable tape or you can make little paper forms that can be pasted to both sides of the forms as they stack, this will create the gauge and depth of the piece once it is placed onto the wall.

This is the final composition above, I love it! I used a roll of duct tape to make small cylinder forms that connect the pieces together, the piece as a whole comes “off of the surface of the wall” by about 1.5 – 2″ inches – you can play with this a bit but keep in mind, the tape makes the piece heavier and it will want to comply with gravity 🙂

I hung the piece (also temporarily adhered via the same duct tape) for the photoshoot and to also get a good look at how it will function on the wall. I have an old painted fire place in my studio that is a great surface for hanging things, I love the contrast of textures between the bricks and the paper, as you know, the shadows will be super cool to see too.

Once I had the whole piece constructed I took a few pictures of it. I immediately wanted a clean vector line drawing of the whole character. I brought the photo into adobe Fresco and used a vector brush to draw this lovely variation. This is how my brain works, I switch paths because I know they are really pipelines to the “next thing” that I will push this to, so forward we go. I can see this potentially becoming a new logo for an aspect of my design biz, or at least a new t-shirt in the classic newyawk series

Then, it was light source and photo shoot time. Im not really happy with these picture as traditional “photographs” as I know I can do a much better job, but, as a series of “sketches” for a planned photo shoot, these will really help to make those plans a reality. I love neon colored lights. I have a bunch of them from various places and spaces that I found on the internet. Amazon has a great selection of flashlights with various colored light options. Get a few and play around with how the light can effect your work and the shadows that it creates. This is where the depth and gauge of your pieces play a role. The photos below are also a part of the same session, which all took place over a few days. What do you think? Shall I make more?

In the 20th century, paper cutting experienced a resurgence in popularity as an art form in its own right. Notable artists who have contributed to the art of paper cutting include:

  1. Béatrice Coron: A French artist who has created intricate and expansive paper cut-out installations for public spaces and galleries around the world.
  2. Yoo Hyun-mi: A South Korean artist who creates paper cut-outs that explore themes of identity and cultural heritage.
  3. Hina Aoyama: A Japanese artist known for her intricate paper cut-outs of animals and natural landscapes.
  4. Elsa Mora: A Cuban-American artist who creates whimsical paper cut-outs that often feature fantastical creatures and characters.
  5. Hunt Slonem: An American artist known for his large-scale paper cut-outs of birds and butterflies.
  6. Xiyadie: A Chinese artist who creates intricate paper cut-outs of traditional Chinese motifs and landscapes.
  7. Hari and Deepti: An Indian artist duo who create mesmerizing paper cut-out scenes using layers of intricately cut paper.
  8. Karen Bit Vejle: A Danish artist known for her intricate paper cut-outs that often feature patterns inspired by nature.
  9. Nikki McClure: An American artist who creates minimalist paper cut-outs that often explore themes of motherhood and nature.
  10. Wu Jian’an: A Chinese artist who creates paper cut-outs inspired by traditional Chinese art and mythology.

 

Welp, if you got this far, many thanks! Much more to come!

Exploring Analog, Digital & Ai Mediums in Art: Layered Image Hacks from Old Slide Libraries

glowing slide hack image

Exploring Analog, Digital & Ai Mediums in Art: Layered Image Hacks from Old Slide Libraries

As an artist, I’m always seeking new ways to create and communicate through visual imagery. In today’s technology-driven world, there are endless ways to be experimental, combining analog, digital and now Ai mediums to generate fresh perspectives. I find to be as exciting as can be!

slides - slide hack project

A looooong time ago as an undergraduate art and design student, I never imagined that I would ever view the slide projector as a medium for future art making. However, in recent years, I have discovered the hidden potential of old slide libraries to help generate and create new artworks. I see this exercise as a great collaborative project for students of all ages! More on that later.

Above, we see a series of scanned remnants from various times, spaces and places. Working with the abandoned slide libraries from a few of the universities I teach for across New York City, I have found my inspiration. The first series of experiments involved layering four intentionally selected slides with strong light source from underneath to create an analog transparency. The resulting images were then edited and juxtaposed for context and composition, resulting in new works of art.

slide hack project

Through my work with these precious “fossils,” I’ve discovered a new way of seeing the world and objects around us. The situational narrative of the abandoned slide libraries have become the inspiration for my art making experiments breathing new life into outdated technology. (I also really love the word “re-contextualize”.) As I continue to develop the series, I am exploring different ways to present these layered images. I picked up an old data projector via Craigs list a while back, and it has been propelled back into action! 

slides - slide hack project

Several of these images are being turned into animations for video and GIFs, adding a dynamic element to the already compelling compositions. Stay tuned for part two, as I delve deeper into the process of creating these layered image hacks. But photo documenting these was obviously not the last stop, I had to see what our new friend “Ai” may do.. keep reading and scrolling for that!

slides - slide hack project

In creating the layered image hacks, I have found that the process is intuitive and immediate, allowing me to tap into inspired energy and create something new and unique. The juxtaposition of historical images with modern technology has led to a new awareness, both for myself as an artist and for those who may view my work. One of the most exciting aspects of this project is the endless possibilities for presentation.

slides - slide hack project

The images can be printed on a variety of materials, from traditional paper to fabric or even metal, to create a tactile and dimensional effect. They can also be projected onto walls, creating a larger-than-life presence that immerses the viewer in the layers of the image. The slide below was projected onto the corner of a wall, as an example.

slides - slide hack project

As I continue to work on this project, I am excited to see where it will take me. As I mentioned, Ai has entered the chat.. By exploring both analog, digital and Ai mediums, I am able to push the boundaries of traditional art-making and generate new ways of looking at the world. I hope to inspire others to see the beauty in the unexpected and to find creativity in even the most mundane of objects. Let’s be honest, we all wrote off slides many years ago!

The new variations generated above and below are by DALL-E 2 added a new dimension to the project, highlighting the possibilities of combining different technologies in the creative process. The outcomes are so good! I further manipulated the variations in adobe photoshop to make them more compelling and spellbinding!

slide hack project

Overall, this project demonstrates the importance of embracing innovation and experimentation in the art making practice. By utilizing both old and new technologies, and exploring different mediums and techniques, we can create works that are truly unique. And by applying these layered image hacks to DALL-E 2, we can open up new possibilities for creative expression and push the boundaries of what is possible in the art world.

Have fun!

a sheep taking pictures as a line drawing

Loving Adobe Fresco – New Drawings

Loving Adobe Fresco – New Drawings in 2023

I have been getting busy with Adobe Fresco. (Fresco is FREE by the way!) I admit it, I love digital drawing! If you are an artist that is making a transition from analog materials into the digital world, then look no further than Adobe Fresco. I know, Im excited, and no, they are not paying me to say this. This is a great product and piece of software, but mainly, a powerful tool! Did I already say that it was free?

What exactly is “digital drawing”? Let’s try to break it down, or at least interpret it, digital drawing is the process of creating artwork using digital tools. Examples? Well, digital tools can be a graphics tablet (iPad or iPhone) and stylus (apple pencil), or a touchscreen device.. These kinds of tools are important because they allow us to create, edit, and share the work more easily and efficiently than traditional methods. Digital art can be easily stored, shared, and edited, whereas traditional art, such as physical drawings or paintings, can be difficult to preserve and share. I know this because I have a seemingly endless “space and storage” issue with those things.. Additionally, digital drawing allows for greater precision and control, as well as the ability to undo mistakes and experiment with different techniques and effects. Im not saying that Im going to give up paint, paper, pencils, markers and charcoal, but, wow, drawing with a tool like Fresco is addicting!

Let’s check out some new work below!

 

Look at those clean, smooth stylized vector lines! If you would to color this drawing in, e-mail me and I’ll send you a pdf version to work from. I had a blast drawing this, and also colorizing it, digitally..

With so many new and accelerating technologies and tools popping up everywhere, what will art look like in 10 years? I find it difficult to predict exactly what the future of art will look like in 10 years, as it is constantly evolving (in general) and being influenced by various factors such as technology, society, culture, the media, politics, social issues, education, individual artists and etcetera… However, it is likely that technology will continue to play a significant role in the creation and consumption of visual art. For example, virtual and augmented reality will become more integrated into the art-viewing experience, allowing viewers to interact with and experience art in new ways. Additionally, the use of artificial intelligence and machine learning in the creation of art will become more prevalent. It’s also possible that more creators will start to use digital platforms to distribute their work and make art more accessible to a global audience. However, traditional mediums like painting, sculpture, and printmaking will always have a place in the art world, and in my process and heart for sure!

For now, scroll down and enjoy some new digital drawings! Let me know what you think, do you have a favorite? Like the textures, colors?

Want to see more?

a group of b-boys and b-girls chillin' together as a single line drawing

 

Situations, Scenes & Circumstances

“The Agent of Ascension”, 2022, Digital Illustration / Photo hybrid

 

Situations, Scenes & Circumstances

Im excited to share a growing body of work that revolves around the idea of reality perception. Particularly, through the use of an environment. It happens via an existing photograph that I have taken, found or created (with software.) A tension is created between wanting to create the reality mixed with transcending what is already in existence. A hybrid form / mixed reality, but what exactly is “reality”? As 3D software and it’s capabilities accelerate, more and more people will be building their own “realities”.

Perhaps there is a 100th monkey effect energy to that in and of itself…

The tools used below, well, simply, an iPhone for capturing a moment, adobe photoshop for creating assets and manipulating those moments, adobe dimension for applying 3D assets into the existing moments. Output is rendered to JPEG format for all devices to view easily. The process allows for me to push and explore new ways to use and integrate digital photography while also digging into new visual effects and aesthetics for “image-making”. It takes a lot of practice to identify the “gems” but this depends on the viewer. The process is unlimited and so much fun. One of my goals in 2023 is to record my process while I work, most of these pieces happen in immediacy, and take between 10-20 minutes to complete. Should I add these to my YouTube channel?

I also wanted to play with titles. Titles are very important / interesting and give so much context while engaging the viewer to connect.

This is a perfect project for digital storytelling, creative writing prompts and creating narratives. 

Let’s see what we got here below!

 

“The Occurrence of the Arrival Pods”, 2022, Digital Illustration / Photo Hybrid

 

“Fragments & Byproducts from the Activation Portal”, 2022, Digital Illustration / Photo Hybrid

 

“A Metaphor at the Station of Your Emotions”, 2022, Digital Illustration / Photo Hybrid

 

“The Day that You Were Born”, 2022, Digital Illustration / Photo Hybrid

 

“The Problem Solver”, 2022, Digital Illustration / Photo Hybrid

 

“A Disturbance in the Matrix”, 2022, Digital Illustration / Photo Hybrid

 

“A Surprise Visit from the Inner-Agent”, 2022, Digital Illustration / Photo Hybrid

 

“Bi-Locational Transparency”, 2022, Digital Illustration / Photo Hybrid

 

“The Release of the Blue Portal”, 2022, Digital Illustration / Photo Hybrid

 

As always, your feedback and comments are welcome below!

Scott Rummler – Frequency Based Art

 The NET-Art Website is pleased to share: “Scott Rummler – Frequency Based Art”

“Artist makes painting that can’t be photographed, breaks blockchain.”

Scott Rummler has developed a frequency-based painting style that breaks with the major concepts underlying visual art and digital representation.

The works are minimalist white paintings but emit frequencies that create a rainbow of colors when viewed though a digital camera. As a result, each photograph of the same painting looks different. The work breaks the 1:1 relationship between object and image that is fundamental to a wide variety of artistic and scientific disciplines.

They can even sometimes change the settings on mobile phone cameras – without causing any damage.

Photographs of the paintings break new conceptual ground in digital NFT art. They are registered in an unbreakable ledger – but because the physical paintings don’t have a consistent digital appearance, they ‘escape’ its technical confines. So they are part of the blockchain while simultaneously breaking it. 

Rummler developed the technique, which has to do with the complex interaction of paint, light, and perception, with input from visual science PhDs at RIT.

He uses paint rollers – a very common item that’s never been considered in the realm of fine art. But it has the key qualities Rummler was looking for. 

“When I hit on the rollers I knew right away it was what I had been looking for. It’s the simplest and most familiar, and also the least artsy and most radical. Ultimately it’s the most profound too, because we’re talking about a circular, time-based technique that turns the fundamentals of pictorial composition upside-down,” he says.

“During Covid, I came upon the idea that art is the one thing you have to see in person. So why not make paintings that can’t be photographed so you have to see them in person? I wanted to create art that transcends the limits on what a gallery should be, and what technology, vision, and art can be.”

Frequencies have been used for centuries by Eastern medicine – and more recently by Nikola Tesla and modern technologists. 

But for Rummler, it’s all about the art.

“Art has always been about frequencies. There is something unique and transformative that can’t be easily captured. I’m simply highlighting that fact.”

 

We got a chance to ask Scott a few extra questions during our interactions via e-mail:

 

Net-Art: Who are some of your favorite artists through out history – pre-1990? Who are some of your favorite artist post-1990? What stands out about their work that compels and inspires you? 

Scott: Pre-1990 I would say Vermeer and also Rothko.  Two very different artists, but they were the only ones whose work impacted me so profoundly that I was overwhelmed and had to walk away. Post-1990 lately it’s been Dan Flavin. He was a friend of an artist I knew, Michael Venezia, and he worked with light. I guess I got back to my roots a bit and he became more top of mind. Other than that I would say guerrilla type artists, particularly those that resisted conformity when the  mandates got a bit out of hand here in NYC.

 

Net-Art: With more and more technologies becoming both accessible and immediate, do you think that applied artists will eventually venture into integrating digital technologies into their work? 

Scott: Art should transcend any particular medium. Digital will continue to adopted at a slow but steady pace. The big change may come when we see a new system of art, galleries, and museums. I saw a bit of that in the 80’s with Mary Boone and the East Village, and more recently with NFT art. But it hasn’t really happened yet. The financial side of art has been a bit obscure, or even dodgy at times, and the media coverage sometimes borders on propaganda, so maybe those things have to change.

 

Net-Art: Do you collect the work art of other artists, if so, what is the most recent piece that you have added to your collection?

Scott: I don’t collect art. I live a very minimalist lifestyle, my place is like a bunker! But I feel like I’m ready for a change.

 

Net-Art: Do you have a defining story or moment where knew that you were or had become an artist? Can you reflect on this and share a story with us?

Scott: My first art professor, Archie Miller, was a bit acerbic, and he didn’t give me very good grades, so I assumed he thought I was an idiot, but I volunteered to help him make the Fred and Ginger sculpture that is in Rochester, NY on Scio Street. When I told him I was thinking of becoming an art major, he said “The world doesn’t need any more artists. But maybe you feel like it’s something you have to do.”

I said “Yes, that’s the case.”

I found out later he thought I was one of his best students, so I guess that was his way of motivating me. Since then, any time I had really good – or really bad – news, he was the one I called. Should have called more often though [he died not too long ago].

 

 

 

2023 – 2024 – NET-ART OPEN-CALL for Submissions!

It’s that time Again!

The NET-ART OPEN-CALL for Submissions continues this semester!

FALL 2023 – Spring 2024 Edition

What does this mean? What is NET-ART on the Commons?

The NET-ART 2023 – 2024 academic calendar is now accepting submissions on a rolling proposal basis in the following criteria:

  1. Electronic Media / Experimental Pedagogy
  2. Animated GIFS
  3. Digital Art
  4. VIDEO ART / Experimental Film
  5. NET-ART (Works created in and displayed in a web browser)
  6. Class / Course Collaboration
  7. Digital & Analog ZINEs
  8. Curatorial (A Curated Group Exhibition)
  9. Solo Exhibition
  10. Related “Otherness” pitched to us

Looking for useful tools, apps & tutorials to get your submission started? CLICK HERE!

Looking for examples of “what” has been submitted previously? Explore here!

a colorful image of a subjective landscape from another world

The NET-ART Submission Guidelines:

Submissions may be generated by CUNY faculty, students of all levels, alumni & community members. CUNY classes/courses may also submit collaborative proposals as a group. CUNY faculty & students may also collaborate with others from outside of CUNY as well.

All submitted works will be featured and published as individual blog posts as well as added to existing galleries on the NET-ART website.

Depending on the submission’s proposal, relevant and in context, various submissions will be published and exhibited as an individual page created specifically for the project.

All submissions should be described in written detail with a clear vision, context and meaning. Supporting images and links should be provided as well.

Authors of the submissions and their collaborators must be willing to participate, respond to comments and expand upon their projects with incoming queries via the commons, twitter and beyond.

The purpose of exhibiting submissions in various categories displays a platform for creative and experimental methods of pedagogy. Please consider how your work will contribute to a larger whole that will be archived for teaching, learning, reference and posterity.

 

We anticipate your submissions!

Question, Proposals & Submissions can be sent via e-mail or via Twitter to:

rseslow@york.cuny.edu  /  @ryanseslow 

Exploring Digital Art and Design on the Commons – A Workshop

“Exploring Digital Art and Design on the Commons: Techniques and Applications for the Classroom and Beyond”

Wednesday, May 11th 2022 – 11am – 12:30pm

Welcome!

This presentation is for the CUNY GC / Teaching & Learning Center’s Open & Digital Pedagogy Wednesday Workshops Series.

Hosted by Anthony Wheeler & Ryan Seslow

Welcome All!

This workshop will be conducted and archived from this blog post here on this website.

This website is chock full of resources so please dig in!

PS – This post will also receive a few updates from time to time as contrast creates more inspiration! I hope to share the recorded zoom workshop info as well (if possible)

This post is also a creative snippet and reflection of what is possible here on the commons. (Im a big fan!)

 

an abstract digital illustration consisting of many graphic assets

 

So, What is Digital Art? – via wikipedia

“Digital art is an artistic work or practice that uses digital technology as part of the creative or presentation process. Since the 1960s, various names have been used to describe the process, including computer art and multimedia art. Digital art is itself placed under the larger umbrella term new media art.”

 

Some Digital Art History -> a timeline

A bit more here <–

and a bit more here as well <–

 

Questions to Ponder?

What is the creative potential of an image?

What is YOUR creative potential in relationship to an image or images that you feel connected to? 

How can intuitions, feelings, philosophies and or inspiration play a role in image-making?

You do NOT need permission to experiment with digital image making / digital art, so let’s get to it!

The academic commons is a perfect example of a platform (WordPress) that both supports and compliments image based content. File formats like .JPG or .PNG work well here! Let’s begin our reign of creative image-making and take over!! 

 

LETS MAKE SOME DIGITAL ART!

 

We will experiment with some great “Free to Use” Digital Tools:

Lets create a page using mmm.page  – https://mmm.page

mmm.page is a web browser based digital collage making platform / space. It works perfectly in your web browser. It also works on mobile devices!

 

Here is an example I made with mmm.page:

https://mmm.page/ryanseslow.main

 

*I pre-prepared a series of transparent graphic assets that you can download and use for this, but feel free to make and discover your own, especially if there is specific context to your ideas. Here is the shared folder link:

https://drive.google.com/drive/folders/1ZWB0jL_z_iU9mH2rf3Imthk4AUpYYRGi

 

a surreal arrangement of objects and things placed into a situation..

 

Places to find Images online – Creative Commons based:

Pixabay.com – great resource for images and transparent assets! (we will use this for the workshop)

National Gallery of Art  With the launch of NGA Images, the National Gallery of Art implements an open access policy for digital images of works of art that the Gallery believes to be in the public domain.

Digital Public Library of America The Digital Public Library of America brings together the riches of America’s libraries, archives, and museums, and makes them freely available to the world.

NYPL – The New York Public Library Digital Collections Archive

Flickr CC – Creative Commons on Flickr.

Gif Cities – Internet Archive

The Noun Project –  “Graphic Icons for anything”

Open-Access – Digital Collection – The Metropolitan Museum of Art

Giphy – the web’s largest search engine for animated GIFs!

 

Web Browser and FREE Digital Tools to Work with:

mmm.page – https://mmm.page

photopea – is a free web browser based digital image making and manipulating application, we can alter and manipulate and prepare images in this space! – https://photopea.com

Remove Image Background – https://www.remove.bg/

PIXLR – https://pixlr.com

Image Conversion Tool – https://convertio.co/

Vectorize an Image – https://vectorizer.com/

vectr – https://vectr.com

Glitcher – http://akx.github.io/glitch2/

Image Glitch Tool – https://snorpey.github.io/jpg-glitch/

Glitchatron – http://www.errozero.co.uk/glitchatron/#

Gimp – digital art making / photoshop-esque alternative – https://www.gimp.org

Trianglify Generator

Trianglify Generator 2 

 

Special Ops agents find themselves displaced into an art gallery

Useful Essays & How-To’s from this Website:

The Byproducts Poster of Twenty Twenty One

A Drama in Monotones, the tutorial..

Cut-N-Paste-Analog-N-Electronic-Ness

mmm.page Creative Awesomeness

Ink Jet Printer Print Remixing in the Studio

The Graphic Design for Websites, A 2019 Workshop

 

Please feel free to share your sentiments, questions and feedback in the comments section below! Let’s think of that space as a way to contribute to this post.

PS – Check out more on my website – ryanseslow.com or follow me on twitter or IG

Many thanks!

Caption-Less Abstraction, Another Statement..

Caption-Less Abstraction, Another Statement..

“Caption-Less Abstraction, Another Statement..” is new looping video art work by Ryan Seslow.

The piece is a visual statement, expression and commentary on the continued lack of accessibility and inclusion that Deaf and Hard of Hearing people experience. Often invited and or summoned to attend online meetings, seminars, talks and discussions only to once again discover that basic accessibility and inclusion in the form of closed captioning is not enabled or provided.. What do you think that these meeting experiences looks like for a person who is Deaf or Hard of Hearing? How do you think the experience feels for a person who is Deaf or Hard of Hearing?

This piece is WHAT it Looks Like. Want to know HOW it feels? Great, now watch the looping video for 20-30 minutes straight.

Let me know how you FEEL after in the comments section below, or post your response to me on twitter.

This art-work is about awareness, there is a story below..

“Caption-less Abstraction, Another Statement..” 2021, Looping Animated Video

This piece is also based on a recent experience where the “Host” of an online event invited me to participate in a group discussion via zoom. There we over 50 people in attendance.. I told the host in advance that I was Deaf and would require (and greatly appreciate) the enabling of the real-time closed captioning feature during the talk. I never got a response. I joined the meeting anyway and immediately noticed that captions were not available. I sent the host a DM, no response.. In American Sign Language I proceeded to sign “NO ACCESS” over a few times and eventually left..

 

“Caption-less Abstraction, Another Statement..” 2021, A still-frame from the pre-animation processing of the video (click the image to enlarge to full size)

This piece was recently added to the current exhibition: “Waking Accessibility Awareness”

https://www.ryanseslow.com/waking-accessibility-awareness/

The Byproducts Poster of Twenty Twenty One

a big poster of many many small illustration organized into visual order

“The Byproducts of Twenty Twenty One” 2021, Digital Illustration / Poster – (click the image to enlarge)

 

The Byproducts Poster of Twenty Twenty One..

(originally posted to ryanseslow.com but there is context here. Publishing this here will publicly hold me accountable to turn this into an assignment)

Wow, it’s the final day of December, and 2021 is coming to an end. This has certainly been a challenging year..

It’s that time of the year when I get very reflective about my work. This meditation puts a focus on my personal work as an artist, as a professor (just finished my 19.5 years) and as a designer solving various problems for my clients both ongoing and new. A lot has been completed this year. Im proud of my work and of this blog too (more on that soon)..

Behold below, the byproducts poster of 2021! I have been meaning to turn this idea into a class assignment for my intro graphic design and illustration students for a while now, it always seems to escape me writing up the specifications for the project.. Perhaps it’s because the project and exercise itself is so much fun that I I keep it to myself! Let’s change that this coming year! (see, accountable..)

“Byproducts”.. what do I mean by “byproducts”.. well, I see it as a “secondary thing” or results that have been created or generated as a result of another intention. It’s incidental. About 85% of the graphics in the poster below were created in 2021, the other 15% are iterations and extensions of existing graphics taken from the last few years. I have been making art and design consciously for over 35 years.. (omg). This duration in and of itself results in a large repository of “things and stuff” that has been created over those years. Im pretty meticulous at organizing things so its very easy to find files by context and year. I love the idea of having a digital repository of my work on hand. The beauty of this poster (in my opinion) is the display of “orderly chaos”. The composition building process is a challenge and a puzzle. A design problem created on purpose to find harmony and unity by arranging shape, form, color and scale. Byproducts in this context are the result of the “unused things” that were created for specific purposes but didn’t make the next or final cut on a project or concept’s decision making. It doesn’t mean that these things don’t have value. They certainly do, and I love re-contextualizing them. Im giving these things utility by applying them as a promotional poster. A consolidated image of variety, aesthetics, styles and visual candy. A nice representation of how much I love to work this way and the work I love to make. 

The more time I spend looking at this iteration the more I realize I can add to it, or how I can re-compose it. I said it was a “poster” but we all know by now that it could be so much more. Imagine how this would look installed as a large wall piece applied into a clean white walled gallery? Hmmm.. 

When I posted this on a few of my social media profiles I immediately received inquiries if the piece would be minted as an NFT, or if the piece would be available as a physical print? I love all of these ideas and will let them dance in my mind for a few more days.

Happy 2022!

Creative Fun for the NEW Commons Website!

A Happy New Year to You and Yours!

Welcome to the Spring Semester, 2022!

Allow me to introduce my first post of the new year: “Creative Fun for the NEW Commons Website!”

That’s right, the commons has launched its long awaited update! Its awesome!

Have you checked it out yet? This post is a good place to start if you haven’t. Its very informative and helpful. Not to mention down right inspiring, (you will recognize some of the GIFs and Illustrations, wink wink wink..) I’m always excited to talk about the commons! Im lucky to be a sub-committee member, thats right, I signed up, got hooked, and now they cant get rid of me, and my GIFS!

Lets have some fun talking about the new site and the commons itself, shall we?

But wait, can this blog post be used as pedagogy? Can it be a class assignment example in disguise? Does a blog post have the ability to tell a story? A compelling one… hmmm, lets see..

I’m here to serve, share, learn, revise, connect, contribute, participate and evolve in this wonderful open-source space. I have been teaching a series of my CUNY classes between BMCC and York College via the commons for many years now, I have also created the open-source course from which you are reading this blog post. The fact is, the commons is a brilliant space that is awaiting your energy. It’s a free invitation to break free of anything default (like those prehistoric departmental templates!) Its time to tap into your “highest-creative-pedagogical-self”, (that’s right, that’s a thing now) and let that light been seen here.

There are so many ways to approach this!

Building a course website, portfolio or creating a group on the commons offers many options, and there is so much context to explore.. What do you want to create or experiment with? What would you like share, archive, organize, facilitate or help with? That’s just a starting a point of course. When I first started generating content here I created this site “The NET-Art Site” for fun as an example of the “ideal course” that I would “one day” love to teach… I’m very serious. It is not an actual 3 credit course at BMCC or York college, but it has become something so much more as both of those courses benefit from and contribute to the content. It’s an OPEN resource full of use-value in context to all of my teaching. Its worth way more than 3 credits, I mean, its like 100,000 teaching-karma-credits that gets legacy attached to it! (as sinister music drones into the background…. Im kidding, but then again..) What I’m trying to share is, I simply jumped in. I started making and sharing, creating opportunities and reaching out to others. Things took off and quickly began to shape just by starting and not worrying about how it would be received. The commons community supported it 1000%! Since then, we have collaborated with the NYPL and several other campuses on various projects, including workshops at the GC on graphic design & “play in the classroom” )and a cross-college collab with Gallaudet University.

As the new site was being built, especially in the final stages, I asked if I could help and contribute by making some visual promotional items. I kind of solidified my presence with the subcommittee as an artist and a rouge “GIF maker”.. well, ok, maybe I’m not that rouge but I love to make GIFS! Either way, it all started on a website here on the commons. I was riding the coat tails of my buddy and mentor MBS, who is the one who introduced me to the commons in the first place!  I was hooked right away! This was back in 1977! (which was really 2010-ish but in 2022 year consciousness it feels that long ago!) Anyway, sheesh, I offered to help bring some of the new branding imagery and items to life. A perfect opportunity to contribute and also use the content for pedagogy. Thats right, this blog post becomes yet another example of the potential of how the commons can be used. As well as the potential to share how things can always expand as we place our energy into it. I teach Digital Storytelling at York College. (I love the course so much!) A large portion of the course work is creating a digital identity, learning how to blog and challenge the creative potentials of what a blog post can be. Can it be a vehicle for change, self-expression, self-transformation, activism, empathy, teaching, learning, compassion and creativity all at once? CT-101 students will surely find out as soon as they read this!

Well? Are you not enjoying this? Make a list of words that come to mind, take action and leave them in the comments section below, I’d be happy to help you get started if you need or want that kind of a push. 

Lets give the whole commons team a big big round of applause! I have to say, they really nailed it! The new website is beautiful. Do you remember the old site? I mean, I do miss it a lil, its nostalgia, and all of the late 1990’s feels of those underground style blogs (kidding, kidding, kinda!) I really love the rebranding here. The new site has solved a lot of UX/UI and accessibility issues very effectively. The lighter color palette and integration of clean icons, page formatting, sections, and those light gestural lines makes one’s arrival to the site welcoming and inviting. It helps the visitor navigate effortlessly to where they want go, which may be intentional right away, but it also provokes exploration. I’m excited for my new students to get started this semester! What do you like most about the new site?

I hope that you are enjoying the GIFs and Illustrations as you read through this post. The post is getting a bit wordy and Im known to go off on tangents… stop me! My ambition was to induce some retro-feelings and imagery as metaphors to show the lineage of our Internet experiences. I started teaching college in 2002! I’m at my twenty year mark and this is my 40th semester teaching. (What!?) I actually had that flip phone used above in the illustration, as well as showing course content with slide projectors and VHS tapes! I had to represent VHS! As much as I love all things modern tech, I miss those analog days, and the clunky hardware that came along with it. I know that our friends at Reclaim Hosting agree! The beauty of technology is its ability to unite and connect us through access and inclusiveness. The new site works great on mobile devices now too! The commons has helped me find and meet so many other like minded people doing such cool things. The pandemic slowed the “IRL” experiences but the digital connections strengthened, our overall reach extended and our friendships prevailed. So, in essence the art works are about connection, togetherness and our collective awareness..

 

Thanks for reading along and checking it out!

Feel free to get in touch and say hello! Im easy to find here on the commons as well as on the web!

Twitter is good too!

If you are looking for some creative inspiration, dig into this site and see what you “stumble upon”.